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nbsp;The swaying golden glory with the yesterday grieving for the dead is an irreconcilable insurmountable contradiction in the image of the Visconti,ferrari sunglasses is the kneeling of the solitary and pride Prince Salina in that last dark early morning, is the stretching posture in the facing rays of the youngster in the vision of Offenbach while he was dying, is innocent and wet faces of the dead persons in the grass of Ludwig. This noble in the city of Milan, with his screen of beautiful, luxurious, rich and beautiful to the extreme, has opened in front of us a velvet curtain of luxury and dissipation to touch the sank and collapsed palace, the evening glow among the ruins and the pulse of the times in transmutation.
The part named quot;Cursequot; in the film is telling about the degeneracy and crumble of a large family in the Nazi era, as well as the sin, despair and madness of human being with the mark of the Nazis, and the preference for blood and death. From the part named quot;Leopardquot;, the director Visconti still continues the theme of the crash in the film. Perhaps from the even earlier period, the word crash had become the sharp eye of the vortex in the world of Visconti. In the part named quot;Death in Venicequot;, to the passing and being gone world, the hero is filled with a kind of affection to retain, so he pursues in the meditation to do retention and ultimately he has saved the world. The elusive beauty in his pursuit is just like the metaphor of Lazio, and the ending of the film seems to have given the light of hope to such detainment. And in the part named quot;Ludwigquot;, the Ludwig is to resist the gradual collapse of the world upon a real built castle. He completely refuses to contact with the outside world, but to create a dream land around him, after all. This kind of retention is doomed to be as a fantasy of helpless with despair.
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